Renaissance art

Renaissance art is the painting, sculpture and decorative arts of that period of European history known as the Renaissance, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science. Renaissance art, perceived as a "rebirth" of ancient traditions, took as its foundation the art of Classical antiquity, but transformed that tradition by the absorption of recent developments in the art of Northern Europe and by application of contemporary scientific knowledge. Renaissance art, with Renaissance Humanist philosophy, spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. Renaissance art marks the transition of Europe from the medieval period to the Early modern age.
In many parts of Europe, Early Renaissance art was created in parallel with Late Medieval art. By 1500 the Renaissance style prevailed. As Late Renaissance art (Mannerism) developed, it took on different and distinctive characteristics in every region.

The influences upon the development of Renaissance art in the early 15th century are those that also affected Philosophy, Literature, Architecture, Theology, Science, Government and other aspects of society. The following list presents a summary, dealt with more fully in the main articles that are cited above.

• Classical texts, lost to European scholars for centuries, became available. These included Philosophy, Prose, Poetry, Drama, Science, a thesis on the Arts and Early Christian Theology.
• Simultaneously, Europe gained access to advanced mathematics which had its provenance in the works of Islamic scholars.
• The advent of movable type printing in the 15th century meant that ideas could be disseminated easily, and an increasing number of books were written for a broad public.

Baroque Art

The Baroque is a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance and music. The style began around 1600 in Rome, Italy and spread to most of Europe.

The popularity and success of the Baroque style was encouraged by the Roman Catholic Church, which had decided at the time of the Council of Trent, in response to the Protestant Reformation, that the arts should communicate religious themes in direct and emotional involvement. The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumphant power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence.

1. Light 

   There is usually one source of light, known as tenebrism, in Baroque art. The contrasting light and dark, such as in shadows, bring drama to the works. Both have an effect on the emotions and the intensity of the piece. One illustration of this concept is "Judith and Maidservant with Head of Holofernes" by Artemisia Gentileschi. In the piece, Judith saves her people by having a banquet to intoxicate and then behead General Holofernes.

   Realism and Naturalism 

   Realism is an important aspect of Baroque art. Rubens embraced reality in his art. In "Saint George and the Dragon," Saint George is muscular with a suit of armor that appears as it did in everyday life. His horse is depicted as feisty and strong. Naturalism was also seen in Baroque art through the use of normal details unique to daily life. Caravaggio employed this technique in his work by showing local places such as taverns and peasants. He places the viewer in the painting through applying things as part of both the foreground and central space. Facial expressions highlight the subjects' moods or emotions. Artists would sometimes put themselves in the painting as part of the shadows. For example, Diego Velazquez is seen in the left of his painting "Las Meninas."

   Lines 

   Lines help to convey motion and were often featured in Baroque pieces. Foreshortening -- reducing the length of lines in drawing to give an illusion of extension in space -- contributes to the feeling of motion. Whether asymmetric, vertical or horizontal, this technique can fool the eye and give space to the piece. Works follow an "S" shape in composition. For example, in "The Conversion of Saint Paul" by Caravaggio, diagonal lines show drama. Lines also go through diffusion in Baroque art with curved figures and horizontal layers.

   Time 

   Many artists using the Baroque style were aware of time and used it to convey the strength of nature as well as how time was a part of life's process. An older man symbolizing time was included in a great deal of pieces to illustrate that time comes for all. The positioning of people in each work gives the feeling of time moving forwards and backwards.